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About this Project

Amanié

what's new?

A photography & video exhibition

September 11th - October 18th, 2017
NYU Kimmel Center Windows

LaGuardia Place & West 3rd Street,
New York, NY 10012
Kimmel Vitrines, NYU (Street Level Windows) 

what’s new? Polaroid, 1980it was a slow long-lasting journey a slow journey for sure here is the account —Noël X. Ebony

what’s new?
Polaroid, 1980

it was a slow long-lasting journey
a slow journey for sure
here is the account —Noël X. Ebony

Amanié, What's New? is a photography and video exhibition by Carlos de Jesus and Claude Oudey, curated by Lydie Diakhaté, that will be on display in the Kimmel Center Windows from September 7th - October 18th, 2017. The exhibition brings together compelling archival photo and film material shot 35 years ago in the fishing village of Aby in Ivory Coast, West Africa.

The greeting “Amanié” (meaning “What’s new?” in Agni, the language spoken in Aby) can also include the sharing of nightly dreams.

In 1980, equipped with various cameras – 35mm, Polaroid and a Super 8mm, Carlos de Jesus accompanied his friend Claude Oudey, who left his home in Paris, France and flew to Africa to meet his grandmother for the very first time. Many years before, a Frenchman arrived in her village of Aby to manage a French plantation. Claude’s grandmother had two children by this man, a boy and a girl. When he left the country to return to France, this man took his daughter with him; she was two years old. Claude’s grandmother — his Nana — had no news of her child for many years, until her grandson resolved to bring his mother back to her birthplace, to find her family and to renew contact with the everyday life of her natal village. 

Introduction:

Carlos and Claude documented this homecoming, this meeting of generations, of races, of cultures, of geographies and histories. Inspired by the aesthetics and theories on visual anthropology of Jean Rouch, and his advice to act as “day-to-day passeurs,” they came back with film footage and a series of photographs. The images illustrate the daily life, the landscapes and the architecture of Aby. They document the mourning ceremonies after the death of the spiritual leader in the village. And they celebrate the relationships and interactions that create the texture of la vie quotidienne in this corner of West Africa. The story begins with a Polaroid portrait of Claude standing next to his African grandmother, and continues through 13 windows which include archival images, moving and still, accompanied by transcribed quotes from interviews of elders in the village and poetry by the late Ivorian writer Noël X. Ebony.

Curator Lydie Diakhaté has commented that she perceives this family saga, which unfolds as the viewer walks along the sidewalks of Greenwich Village, as a “folk tale.” She explains: “I wanted to bring the viewer through the infinite circle of life, from birth to death. As you walk along 3rd street or LaGuardia Place, the narrative flows back and forth through the 13 windows. However, each window can also be seen individually as one story. Almost four decades after Carlos’ and Claude’s journey, they are bringing these archival images into the present moment. I decided to avoid the idea of taking history as a nostalgic and frozen space and instead create for the viewer an atemporal space that allows for a new vision, that addresses the continuing dialogue about the principles of life, the effects of colonialism, and the ties of love and memory that bind between continents. The project’s purpose is to invite the viewer to share what French philosopher Edouard Glissant called the “emotions of the diversity of the world.”

Moreover, Diakhaté saw the Kimmel Windows as an ideal platform for the creation of what Glissant described as a “lieu commun”—a common space where one thought of the world meets up with another thought of the world. Encountering a series of tableaux that encourage him/her to plunge into an unexpected emotional and cultural terrain, each pedestrian will simultaneously experience the history and customs of Aby and, perhaps, will be moved to confront the immense chaos fueled by the ephemerality of the world in which we live. 

Credits:

A story by Carlos de Jesus and Claude Oudey
Photography by Carlos de Jesus
Curated by Lydie Diakhaté
Production by Mallika Vora & Myles Golden
Prints by LaGuardia Studio

Texts:

Excerpts from Déjà vu, suivi de Chutes, Quelque part, volume of poetry by Noël X. Ebony (Editions L’Harmatan, Paris, 2010). Translated from the French by Lydia Diakhaté and Carlos de Jesus.

Excerpts from interviews made in the village of Aby, 1980. Translated from the Agni by the late Noël X. Ebony, writer and journalist from Ivory Coast, and re-translated from the French by Carlos de Jesus.

This project was supported by grants from:
The New York University Arts Council; the NYU Tisch Initiative for Creative Research; the Lower Manhatan Cultural Council; and Michael S. DiLonardo DDS.

Special Thanks: Professor Shelley Rice, for planting the seed.

© 1980-2017 Carlos de Jesus & Claude Oudey. All Rights Reserved. No part of this exhibition, website or any of its contents may be reproduced without their express consent.